Glossary

IP licence vs assignment

An transfers ownership of copyright or other intellectual property. A is permission to use it; the author still owns it. In England and Wales there is no work-made-for-hire first-owner rule for freelancers: Copyright, Designs and Patents Act 1988 s.11. An must be in writing and signed: s.90. Say which you mean, and when it happens.

Last updated 28 October 2026

This is the sentence that decides who can reuse the work next year. An IP assignment moves the copyright. A licence lets the client use it for a named purpose, territory and term. US “” language does not make a UK freelancer’s client the first owner. See work for hire and CDPA 1988 s.11: the author is first owner unless they are an employee doing the job they were hired to do.

We write one or the other, triggered on payment. Lex will not hide an assignment inside a licence paragraph. Moral rights still need a if the client wants to crop and go unnamed. Pre-existing tools stay with the supplier on a licence back.

No. CDPA 1988 s.11 makes the author the first owner, except for employees in the course of employment. A freelancer is not that exception. You need a signed assignment (s.90) or you have only a licence, often an implied one, which is a poor place to leave a brand campaign. See work for hire.

Does an assignment have to be in writing?

Yes. CDPA 1988 s.90(3): an assignment is not effective unless it is in writing signed by or on behalf of the assignor. An email that says “the files are yours” is a start; a signed clause on the contract is the thing that works. A licence can be oral, which is why disputes about “what we allowed” drag on.

When should a freelancer licence instead?

When the work is a stock style, a method, a typeface engine, or a film you will relicence. Exclusive licences for a campaign period are the usual middle. Assignment is right when the client must own the mark, the product shots or the code they will maintain.

When does the transfer happen?

On the date you name: on signature, on delivery, or on full payment. Payment-trigger is the freelance default. If the client uses the work before paying, they are on an implied licence you can revoke. Write that. Do not leave the trigger blank.

A worked example

A photographer’s paper says copyright in the delivered JPEGs assigns to the client on full payment, and that RAW files stay with the photographer on a non-exclusive licence for the photographer’s portfolio. The client’s US template said “work made for hire.” That line is struck. Until the invoice clears, the client has a limited licence to review. After payment, they own the JPEGs; they never own the RAWs.

How it shows up in a contract

Sample wording · our own drafting

The Supplier is the first owner of copyright in the Deliverables (CDPA 1988 s.11). On full payment of the Fees, the Supplier assigns to the Client the copyright in the Deliverables, in writing for s.90. Until then the Client has a revocable licence to review only. Pre-existing materials are licensed, not assigned. This clause is not a work-made-for-hire term.

In Plain English

The freelancer owns the copyright first. When you pay in full, that copyright in the deliverables moves to you, in writing. Until then you may only review. The freelancer’s own tools stay theirs, on a licence. US “work for hire” words do not change this.

Common mistakes

  • Pasting “work made for hire” into an England and Wales paper and thinking the client already owns the work.
  • Saying “the client owns the IP” without a signed assignment, so s.90 is not met.
  • Assigning “all IP” and accidentally giving away the supplier’s tools and pre-existing materials.
  • Leaving unwaived when the client will crop and run the work without a credit.

What the legislation says

  • An assignment of copyright is not effective unless it is in writing signed by or on behalf of the assignor. Copyright may be assigned in whole or in part. A licence is permission to use the work; it is not an assignment of ownership.

    Source: Copyright, Designs and Patents Act 1988, s.90Checked 28 October 2026Pending lawyer review

  • The author of a work is the first owner of any copyright in it. Where a literary, dramatic, musical or artistic work, or a film, is made by an employee in the course of employment, the employer is the first owner, unless agreed otherwise. A photograph is an artistic work irrespective of artistic quality.

    Source: Copyright, Designs and Patents Act 1988, ss.4 and 11Checked 28 October 2026Pending lawyer review

Sources

Frequently asked questions

What is the difference between an IP licence and an assignment?

An assignment transfers ownership. A licence is permission to use; the author still owns the work. In England and Wales a freelancer’s client is not first owner under CDPA 1988 s.11.

Does work for hire assign UK copyright?

No. That is a US first-owner rule. Here you need a signed assignment under CDPA 1988 s.90. See /glossary/work-for-hire.

Does an assignment have to be in writing?

Yes. CDPA 1988 s.90(3). A licence can be oral; an assignment cannot. Sign the clause.

When should a freelancer licence instead of assign?

When they will reuse the method, the tools or the film. Assign when the client must own the campaign assets. See /glossary/licence and /glossary/ip-assignment.

The legal wording governsLast reviewed 28 October 2026Pending lawyer review